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While the eye was gone, Ra grew a new eye. The eye saw this as a betrayal and became enraged. To appease the eye, Ra changed it into the uraeus.

He wore the uraeus on his forehead. In another myth, Ra became angry about how humans were treating him.

He sent his eye to punish humanity. The gods feared the eye would kill all humans. Ra used red beer to make his eye drunk and it passed out.

Then, the eye became peaceful again and returned to Ra. Its shape resembles a tiny pine cone hence its name , and it is located near the center of the brain, between the two hemispheres, tucked in a groove where the two rounded thalamic bodies join.

The Eye of Horus is an ancient Egyptian symbol of protection, royal power and good health. Wadjet was one of the earliest of Egyptian deities who later became associated with other goddesses such as Bast, Sekhmet, Mut, and Hathor.

Hathor is also depicted with this eye. Horus was the ancient Egyptian sky god who was usually depicted as a falcon, most likely a lanner or peregrine falcon.

His right eye was associated with the sun Ra. The majority of the eye was restored by either Hathor or Thoth with the last portion possibly being supplied magically.

Hence, the eye of Horus was often used to symbolize sacrifice, healing, restoration, and protection. In Egyptian myth the eye was not the passive organ of sight but more an agent of action, protection or wrath.

In Ancient Egyptian most fractions were written as the sum of two or more unit fractions a fraction with 1 as the numerator , with scribes possessing tables of answers.

Different part of the Eye of Horus were used by the ancient Egyptians to represent one divided by the first six powers of two:.

An interpretation of the Milky Way was that it was the primal snake, Wadjet, the protector of Egypt. In this interpretation she was closely associated with Hathor and other early deities among the various aspects of the great mother goddess, including Mut and Naunet.

The association with Hathor brought her son Horus into association also. When identified as the protector of Ra, who was also a sun deity associated with heat and fire, she was sometimes said to be able to send fire onto those who might attack, just as the cobra spits poison into the eyes of its enemies.

In this role she was called the Lady of Flame. She later became identified with the war goddess of Lower Egypt, Bast, who acted as another figure symbolic of the nation, consequently becoming Wadjet-Bast.

In this role, since Bast was a lioness, Wadjet-Bast was often depicted with a lioness head. After Lower Egypt had been conquered by Upper Egypt and they were unified, the lioness goddess of Upper Egypt, Sekhmet, was seen as the more powerful of the two warrior goddesses.

It was Sekhmet who was seen as the Avenger of Wrongs, and the Scarlet Lady, a reference to blood, as the one with bloodlust.

In art, the sun disk image often incorporates one or two uraei coiled around it. The solar uraeus represents the Eye as a dangerous force that encircles the sun god and guards against his enemies, spitting flames like venom.

Collectively called "Hathor of the Four Faces", they represent the Eye's vigilance in all directions. Ra's enemies are the forces of chaos, which threaten maat , the cosmic order that he creates.

They include both humans who spread disorder and cosmic powers like Apep , the embodiment of chaos, whom Ra and the gods who accompany him in his barque are said to combat every night.

Some unclear passages in the Coffin Texts suggest that Apep was thought capable of injuring or stealing the Eye of Ra from its master during the combat.

The Eye's aggression may even extend to deities who, unlike Apep, are not regarded as evil. Evidence in early funerary texts suggests that at dawn, Ra was believed to swallow the multitude of other gods, who in this instance are equated with the stars, which vanish at sunrise and reappear at sunset.

In doing so, he absorbs the gods' power, thereby renewing his own vitality, before spitting them out again at nightfall.

The solar Eye is said to assist in this effort, slaughtering the gods for Ra to eat. The red light of dawn therefore signifies the blood produced by this slaughter.

He sends the Eye—Hathor, in her aggressive manifestation as the lioness goddess Sekhmet —to massacre them. She does so, but after the first day of her rampage, Ra decides to prevent her from killing all humanity.

He orders that beer be dyed red and poured out over the land. The Eye goddess drinks the beer, mistaking it for blood, and in her inebriated state returns to Ra without noticing her intended victims.

Through her drunkenness she has been returned to a harmless form. The red beer might then refer to the red silt that accompanied the subsequent Nile flood, which was believed to end the period of misfortune.

The solar Eye's volatile nature can make her difficult even for her master to control. In the myth of the "Distant Goddess", a motif with several variants, the Eye goddess becomes upset with Ra and runs away from him.

In some versions the provocation for her anger seems to be her replacement with a new eye after the search for Shu and Tefnut, but in others her rebellion seems to take place after the world is fully formed.

The Eye's absence and Ra's weakened state may be a mythological reference to solar eclipses. This motif also applies to the Eye of Horus, which in the Osiris myth is torn out and must be returned or healed so that Horus may regain his strength.

Meanwhile, the Eye wanders in a distant land— Nubia , Libya , or Punt. To restore order, one of the gods goes out to retrieve her. In one version, known from scattered allusions, the warrior god Anhur searches for the Eye, which takes the form of the goddess Mehit , using his skills as a hunter.

In other accounts, it is Shu who searches for Tefnut, who in this case represents the Eye rather than an independent deity.

His efforts are not uniformly successful; at one point, the goddess is so enraged by Thoth's words that she transforms from a relatively benign cat into a fire-breathing lioness, making Thoth jump.

When the goddess is at last placated, the retrieving god escorts her back to Egypt. Her return marks the beginning of the inundation and the new year.

Mehit becomes the consort of Anhur, Tefnut is paired with Shu, and Thoth's spouse is sometimes Nehemtawy , a minor goddess associated with this pacified form of the Eye.

The goddess' transformation from hostile to peaceful is a key step in the renewal of the sun god and the kingship that he represents.

The dual nature of the Eye goddess shows, as Graves-Brown puts it, that "the Egyptians saw a double nature to the feminine, which encompassed both extreme passions of fury and love.

The characteristics of the Eye of Ra were an important part of the Egyptian conception of female divinity in general, [38] and the Eye was equated with many goddesses, ranging from very prominent deities like Hathor to obscure ones like Mestjet, a lion goddess who appears in only one known inscription.

The Egyptians associated many gods who took felid form with the sun, and many lioness deities, like Sekhmet, Menhit, and Tefnut, were equated with the Eye.

Bastet was depicted as both a domestic cat and a lioness, and with these two forms she could represent both the peaceful and violent aspects of the Eye.

Mut was first called the Eye of Ra in the late New Kingdom, and the aspects of her character that were related to the Eye grew increasingly prominent over time.

Likewise, cobra goddesses often represented the Eye. Among them was Wadjet , a tutelary deity of Lower Egypt who was closely associated with royal crowns and the protection of the king.

The deities associated with the Eye were not restricted to feline and serpent forms. Hathor's usual animal form is a cow, as is that of the closely linked Eye goddess Mehet-Weret.

Frequently, two Eye-related goddesses appear together, representing different aspects of the Eye. The juxtaposed deities often stand for the procreative and aggressive sides of the Eye's character, [24] as Hathor and Sekhmet sometimes do.

Similarly, Mut, whose main cult center was in Thebes, sometimes served as an Upper Egyptian counterpart of Sekhmet, who was worshipped in Memphis in Lower Egypt.

These goddesses and their iconographies frequently mingled. The Eye of Ra was invoked in many areas of Egyptian religion, [57] and its mythology was incorporated into the worship of many of the goddesses identified with it.

The Eye's flight from and return to Egypt was a common feature of temple ritual in the Ptolemaic and Roman periods BC — AD , [58] when the new year and the Nile flood that came along with it were celebrated as the return of the Eye after her wanderings in foreign lands.

One of the oldest examples is Mut's return to her home temple in Thebes, which was celebrated there annually as early as the New Kingdom.

In another temple ritual, the pharaoh played a ceremonial game in honor of the Eye goddesses Hathor, Sekhmet, or Tefnut, in which he struck a ball symbolizing the Eye of Apep with a club made from a type of wood that was said to have sprung from the Eye of Ra.

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